From Russia With Love ...
This beautiful sound track was here before I was born.
Fortunately I managed to watch it many times and love this song too. I
decided to have this song tribute to our beloved President of Russia.
Mr. Vladimir Putin Владимир Путин whom have shown many good leadership
against EVIL PARASITES. I am hoping he would continue do his duty well
and get rid of all evil dead cults asap before it become a serious threat to humanity. This soundtrack was sung by our late beloved Matt Monro, the man with a golden voice ...
"The first one won't kill you; not the second, not even the third... not till you crawl over here and you KISS MY FOOT!"
― Donald "Red" Grant to James Bond.[src]
From Russia with Love is the second film in the James Bond film series, and the second to star Sean Connery as Bond. Released in 1963 in the UK, the film earned over $78 million. It was written by Richard Maibaum and Johanna Harwood and was based on Ian Fleming's fifth Bond novel of the same name.
"The first one won't kill you; not the second, not even the third... not till you crawl over here and you KISS MY FOOT!"
― Donald "Red" Grant to James Bond.[src]
From Russia with Love is the second film in the James Bond film series, and the second to star Sean Connery as Bond. Released in 1963 in the UK, the film earned over $78 million. It was written by Richard Maibaum and Johanna Harwood and was based on Ian Fleming's fifth Bond novel of the same name.
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If you can't view over the blog, please click here. Stranger in the night (Cover Version of Matt Monro)
Ref: 20140222-00020-SUNP0033 Walk away
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Recorded at Jerantut, Pahang.
Video Shot by Myself
Video Edited by Myself
"From Russia With Love' as sang by Matt Monro.
Written by: John Barry as the primary soundtrack composer.
Category: Music
License Standard: YouTube License
Created using: YouTube Video Editor
Source videos: View attributions
201409200631-00170 From Russia With Love
From Wikipedia, the free encyclopedia
From Russia with Love is the soundtrack for the second James Bond film of the same name. This is the first series film with John Barry as the primary soundtrack composer.
John Barry, arranger of Monty Norman's "James Bond Theme" for Dr. No, would be the dominant Bond series composer for most of its history and the inspiration for fellow series composer, David Arnold (who uses cues from this soundtrack in his own for Tomorrow Never Dies).
The producers chose John Barry to score the film. Barry had not only arranged and conducted the "James Bond Theme" from the previous film, but had already scored some films such as Beat Girl and Never Let Go. Barry's group also charted at No. 13 in the November 1962 UK charts with a different arrangement of the Bond theme from that heard in the film.[1]
The title song was sung by Matt Monro. Monro's vocal version is played during the film (as source music on a radio) and properly over the film's end titles. The title credit music is a lively instrumental version of the tune preceded by a brief Barry-composed "James Bond is Back" then segueing into the "James Bond Theme". On the original film soundtrack, Alan Haven played a jazzy organ over the theme but this version was not released on the soundtrack album. The tune also appears in a soft string arrangement as a theme for Tania. In Germany, the original release featured an end title track cover version called Die Wolga ist Weit sung by Ruthe Berlé.[2]
Originally planning to use local Turkish music as Norman had used Jamaican music on Dr No, Barry accompanied the film crew to Istanbul, however he found nothing suitable for the film.[3] There are different tracks of Turkish-type music in the film that do not appear on the soundtrack (the track "Leila Dances" is not heard in the film).
In this film, Barry introduced the percussive "007" that came to be considered the 'secondary James Bond Theme'.[citation needed] Barry's instrumental group The John Barry Seven had had a UK chart hit with a cover version of Elmer Bernstein's The Magnificent Seven; both that tune and "007" featured seven beats. It is used in various Bond films starring Sean Connery and also in Moonraker, starring Roger Moore. The arrangement appears twice on this soundtrack album; the second version, titled "007 Takes the Lektor", is the one used during the gunfight at the gypsy camp and also during Bond's theft of the Lektor decoding machine (the soundtrack album version is not heard in the film).
The completed film features a holdover from Norman's Dr. No music – the post-rocket-launch music from Dr. No (after Bond disrupts Dr. No's attempts to jam the takeoff) appears in From Russia with Love at the conclusion of the helicopter attack, and also at SPECTRE's attempt to intercept Bond's speedboat. This cue is absent from the From Russia with Love soundtrack album. The original Barry arrangement of the "James Bond Theme" for Dr. No was inserted by the producers in the film when Bond searches his room in Istanbul for microphones. Barry did a new arrangement of the theme used when Bond leaves London and flies into Istanbul titled "James Bond with Bongos" that Billy Strange did a cover version of for the US charts.
Barry noted that Bart's lyrics used the film's title, but had nothing to do with the film's story, a matter he would rectify when he was assigned the next Bond film, 1964's Goldfinger, which was the first Bond film for which he had total creative control over the soundtrack, including the theme song's music (Leslie Bricusse and Anthony Newley would contribute the theme's lyrics).
Barry's "Stalking", the music for the pre-credit sequence, is echoed by composer Marvin Hamlisch in his score for the 1977 Bond film The Spy Who Loved Me.
From Russia with love I fly to you,
much wiser since my good-bye to you,
I've traveled the world to learn,
I must return from Russia with love.
I've seen places, faces and smiled for a moment,
but oh, you haunted me so,
Still my tongue tied, young pride,
would not let my love for you show,
in case you'd say no.
To Russia I flew but there and then,
I suddenly knew you'd care again,
my running around is through,
I fly to you from Russia with love.
Original Source taken from Wikia
John Barry, arranger of Monty Norman's "James Bond Theme" for Dr. No, would be the dominant Bond series composer for most of its history and the inspiration for fellow series composer, David Arnold (who uses cues from this soundtrack in his own for Tomorrow Never Dies).
Production
Following the decision of the producers not to use Monty Norman, though keeping his "James Bond Theme", Harry Saltzman decided on using the then popular Lionel Bart of Oliver! fame. Bart was unable to read or write music, but he offered to compose the music and lyrics for a title song to the film.The producers chose John Barry to score the film. Barry had not only arranged and conducted the "James Bond Theme" from the previous film, but had already scored some films such as Beat Girl and Never Let Go. Barry's group also charted at No. 13 in the November 1962 UK charts with a different arrangement of the Bond theme from that heard in the film.[1]
The title song was sung by Matt Monro. Monro's vocal version is played during the film (as source music on a radio) and properly over the film's end titles. The title credit music is a lively instrumental version of the tune preceded by a brief Barry-composed "James Bond is Back" then segueing into the "James Bond Theme". On the original film soundtrack, Alan Haven played a jazzy organ over the theme but this version was not released on the soundtrack album. The tune also appears in a soft string arrangement as a theme for Tania. In Germany, the original release featured an end title track cover version called Die Wolga ist Weit sung by Ruthe Berlé.[2]
Originally planning to use local Turkish music as Norman had used Jamaican music on Dr No, Barry accompanied the film crew to Istanbul, however he found nothing suitable for the film.[3] There are different tracks of Turkish-type music in the film that do not appear on the soundtrack (the track "Leila Dances" is not heard in the film).
In this film, Barry introduced the percussive "007" that came to be considered the 'secondary James Bond Theme'.[citation needed] Barry's instrumental group The John Barry Seven had had a UK chart hit with a cover version of Elmer Bernstein's The Magnificent Seven; both that tune and "007" featured seven beats. It is used in various Bond films starring Sean Connery and also in Moonraker, starring Roger Moore. The arrangement appears twice on this soundtrack album; the second version, titled "007 Takes the Lektor", is the one used during the gunfight at the gypsy camp and also during Bond's theft of the Lektor decoding machine (the soundtrack album version is not heard in the film).
The completed film features a holdover from Norman's Dr. No music – the post-rocket-launch music from Dr. No (after Bond disrupts Dr. No's attempts to jam the takeoff) appears in From Russia with Love at the conclusion of the helicopter attack, and also at SPECTRE's attempt to intercept Bond's speedboat. This cue is absent from the From Russia with Love soundtrack album. The original Barry arrangement of the "James Bond Theme" for Dr. No was inserted by the producers in the film when Bond searches his room in Istanbul for microphones. Barry did a new arrangement of the theme used when Bond leaves London and flies into Istanbul titled "James Bond with Bongos" that Billy Strange did a cover version of for the US charts.
Barry noted that Bart's lyrics used the film's title, but had nothing to do with the film's story, a matter he would rectify when he was assigned the next Bond film, 1964's Goldfinger, which was the first Bond film for which he had total creative control over the soundtrack, including the theme song's music (Leslie Bricusse and Anthony Newley would contribute the theme's lyrics).
Barry's "Stalking", the music for the pre-credit sequence, is echoed by composer Marvin Hamlisch in his score for the 1977 Bond film The Spy Who Loved Me.
From Russia with love I fly to you,
much wiser since my good-bye to you,
I've traveled the world to learn,
I must return from Russia with love.
I've seen places, faces and smiled for a moment,
but oh, you haunted me so,
Still my tongue tied, young pride,
would not let my love for you show,
in case you'd say no.
To Russia I flew but there and then,
I suddenly knew you'd care again,
my running around is through,
I fly to you from Russia with love.
Original Source taken from Wikia
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