Posted by James Nakason Wong
Posted on 9:03 PM
with No comments
Widuri...
When I was in Sunderland, Dec 27th, 2013, I sang this song and do missed this song badly too. I used to sing Malay and Indonesian song very well too. My late beloved father's mother was nyonya baba from Malacca and my late beloved father's father side also have nyonya baba from Penang, Thailand, and do have Chinese and Japanese linage too. I am thankful to all my ancestors and hope I also have portuguese and netherland blood lineage too. Once I get my DNA check it out, I am certain where was my lineage from in details that would be reveals without bias ...
"Widuri" is a 1977 song recorded by the IndonesianBob Tutupoly As you can see, the beautiful written lyrics. Unfortunately I have missed some of the love boat and still wonder who would be the lady I should direct this song to! Anyway I did not find any write up on this song and I just write something here.
Di suatu senja, Di musim yang lalu Ketika itu hujan rintik Terpukau aku, Menatap wajahmu Di remang cahaya sinar pelangi
Lalu engkau tersenyum Ku menyesali diri Tak tahu apakah arti senyummu
Dengan mengusap, titik airmata Engkau bisikkan deritamu Tersentuh hati, dalam keharuan Setelah tahu apa yang terjadi *** Sekian lamanya engkau Hidup seorang diri Ku ingin membalut luka hatimu
Widuri… Elok bagai rembulan... oh sayang Widuri… Indah bagai lukisan… Widuri… Bukalah pintu hati untukku Widuri… Ku akan menyayangi
One evening, inthelastseason When the rain I'm fascinated, staring you in the face In the dim light rainbow rays
Then you smile I feel sorry for myself Do not know what is the meaning of your smile
By rubbing, the point of tears You whisper deritamu Touch the heart, the compassion After know what happened *** So shalt thou Living alone My heart wants to dress wounds
Thistle ... Elegant like the moon ... oh dear Thistle ... Beautiful like a painting ... Thistle ... Open the door of the heart for me Thistle ... I would love
Thistle ... Elegant like the moon ... oh dear Thistle ... Beautiful like a painting ... Read more: Bob Tutupoli - Widuri Lyrics | lyrics.wikia.com
Posted by James Nakason Wong
Posted on 8:01 PM
with No comments
Memory
I was at one of my best friend at Leytonstone, London and need do some urgent recording for a recording company audition. I just sang with the original singer and was using a microsh*t window phone which later was been rob in Sunderland.
Memory
Whenever you see a (E) which indicated it had been enhanced using youtube tools to make it louder. If you unable to watch the video over this blog, please click Memory.
If you unable to watch the video over this blog, please click Memory.
Published on Sep 30, 2015 Ref: 20150930-00051-2015071402-00000-SUNP0001 Recorded at Jerantut, Pahang, M'sia If you unable to watch the video over this blog, please click Memory.
FB: https://www.facebook.com/jamesbone006 Backup FB: https://www.facebook.com/pages/James-Nakason/335170904327 Google+ https://plus.google.com/u/0/+JamesNakasoneHuangCareer/posts Blogger Site http://jntubechannels.blogspot.com/ Blogger Site:http://jncreativeentertainment.blogspot.com/ Download: https://vimeo.com/99999999 News: X Factor hopefuls experience joy and sorrow at auditions in Sage Gateshead Contact: Skype id: jamesnakasone or alphajanaka Video Shot by Myself Video Edited by Myself 'Memory' was originally sung by Elaine Paige. Written by: Music: The lyric, written by Cats director Trevor Nunn, Music by Composer Lloyd WebberCategory: Music License Standard: YouTube License Created using: YouTube Video Editor Source videos: View attributions Memory From: Wikipedia, the free encyclopaedia.
"Memory", often incorrectly called "Memories", is a show tune from the 1981 musical Cats.[1] It is sung by the character Grizabella, a one-time glamour cat who is now only a shell of her former self. The song is a nostalgic remembrance of her glorious past and a declaration of her wish to start a new life. Sung briefly in the first act and in full near the end of the show, "Memory" is the climax of the musical, and by far its most popular and well-known song. Its writers Andrew Lloyd Webber and Trevor Nunn received the 1981 Ivor Novello award for Best Song Musically and Lyrically.[2]
The lyric, written by Cats director Trevor Nunn, was based on T. S. Eliot's poems "Preludes" and "Rhapsody on a Windy Night". Andrew Lloyd Webber's former writing partner Tim Rice and contemporary collaborator Don Black submitted a lyric to the show's producers for consideration, although Nunn's version was favoured. Elaine Paige has said that she sang a different lyric to the tune of "Memory" for the first ten previews of Cats.
Composer Lloyd Webber feared that the tune sounded too similar to Ravel's Bolero and to a work by Puccini, and also that the opening – the haunting main theme – closely resembled the flute solo (improvised by Bud Shank in the studio) from The Mamas & the Papas' 1965 song "California Dreamin'". He asked his father's opinion; according to Lloyd Webber, his father responded "It sounds like a million dollars!"[3]
Prior to its inclusion in Cats, the tune was earmarked for earlier Lloyd Webber projects, including a ballad for Perón in Evita and as a song for Max in his original 1970s draft of Sunset Boulevard.
In its original orchestration, the song's climax is in the key of D-flat major, the composer's favourite.
The arrangement of the lyrics in the show were changed after the initial recordings of the track, with the first verse, beginning "Midnight, not a sound from the pavement..." being used in only the brief, Act I rendition of the song and a new verse, "Memory, turn your face to the moonlight...'" in its place for the Act II performance. In addition, the original second bridge section became the first and a new second bridge was added. Consequently, the arrangement of the lyric for a recording usually depends on whether the artist has played the role on stage.
Lyrics
Midnight, not a sound from the pavement Has the moon lost her memory She is smiling alone In the lamplight, the withered leaves collect at my feet And the wind begins to moan
Memory, all alone in the moonlight I can smile at the old days It was beautiful then I remember the time I knew what happiness was Let the memory live again
Daylight, I must wait for the sunrise I must think of a new life And I mustn't give in When the dawn comes tonight will be a memory too And the new day will begin
Burnt out ends of smoky days The stale cold smell of morning The street lamp dies Another night is over Another day is dawning
Touch me, it's so easy to leave me All alone with the memory Of my day in the sun If you touch me you'll understand what happiness is Look a new day has begun
Memory, all alone in the moonlight I can smile at the old days It was beautiful then I remember the time I knew what happiness was Let the memory live again
Songwriters ANDREW LLOYD WEBBER/T.S. ELIOT/TREVOR NUNN
When I was a in the late teenage, I used to sing this song in the bathroom. I love to sing this song so much and sung them almost everyday. IT was a great challenge for me as Diana Ross has a high pitch for this lovely song.
"When You Tell Me That You Love Me" is a 1991 song, written by Albert Hammond and John Bettis, released as a single by Americansoul singer Diana Ross. The song was subsequently covered by various artists.
When You Tell Me That You Love Me
Whenever you see a (E) which indicated it had been enhanced using youtube tools to make it louder. Here is the link, if you wanna watch it over youtube directly.
Enhanced Published on October 22, 2014 Ref: 2014102203-00078-2014102203-00005-SUNP0008 Recorded at London, United Kingdom Here is the link, if you wanna watch it over youtube directly.
Published on May 27, 2013 Ref: 20130527-00076-2014102203-00090-Diana Ross When you tell me that you love me (cover) by James Nakason Recorded at London, United Kingdom Here is the link, if you wanna watch it over youtube directly.
Enhanced Published on October 22, 2014 Ref: 2014102203-00079-2014102203-00005-VIDEO0113 When you tell me that you love me Here is the link, if you wanna watch it over youtube directly.
Published on April 25, 2013 Ref: 20130425-00077-2014102203-00005-VIDEO0113 When you tell me that you love me
Those
who love to listen to my singing and keen to invite me to sing in any concert as your guest singer or
xfactor, BGT, AGT, The Voice or any musical events, feel free contact me
at london.jamesnakason at gmail dot com. Preferred countries mostly
from USA, Canada, Russia, EU, UK, Japan, South Korea, China, Taiwan,
Hong Kong, Mongolia, Thailand, Philippines, Australia, NZ, India and
South America. I love singing, and play musical instruments like Piano,
Keyboard, Guitar, Bass, Harmonica (24 holes), Violin, Recorder (Soprano
& Treble-altro), Midi gadgets.
FYI,
The above link had been removed by the BLOODY EVIL PARASITES FUCKbook,
due to their BLOODY lame excuses copySHIT law. My cover songs have NO COMMERCIAL VALUE and I am only just a student learning to sing these songs and put
that online so that my friends or anyone can comment on it so I can
continue to improve my singing. These EVIL BASTARDS removed my most
favourite FUCKbook fan page on above link.
"When You Tell Me That You Love Me" was the lead single from Diana Ross's 1991 album The Force Behind the Power released on the Motown label in the US and by EMI in the UK. The song, a sentimental ballad, was the album's biggest hit, peaking at number thirty-seven on the US Billboard R&B singles chart while peaking at number-two on the UK Singles Chart. Ross considers it one of her signature songs.[1] The UK release included her 1985 hit "Chain Reaction."[2]
It missed the UK Christmas number one spot for 1991 by a couple of hundred units, beaten out by the re-release of Queen's "Bohemian Rhapsody" commemorating the passing of lead singer, Freddie Mercury. The single was awarded a Silver Disc for UK sales exceeding 200,000 copies.
The single's music video
featured scenes of Ross in an evening gown singing on stage intercut
with home video footage of Ross with her two sons Ross & Evan.[3] Song Lyrics
I wanna call the stars down from the sky I wanna live a day that never dies I wanna change the world only for you All the impossible I wanna do I wanna hold you close under the rain I wanna kiss your smile and feel the pain I know what's beautiful looking at you In a world of lies you are the truth And baby every time you touch me I become a hero I'll make you safe no matter where you are And bring you everything you ask for nothing is above me I'm shining like a candle in the dark when you tell me that you love me I wanna make you see just what I was Show you the loneliness and what it does You walked into my life to stop my tears Everything's easy now I have you here And baby every time you touch me I become a hero I'll make you safe no matter where you are And bring you everything you ask for nothing is above me I'm shining like a candle in the dark when you tell me that you love me In a world without you, I would always hunger All I need is your love to make me stronger And baby every time you touch me I become a hero I'll make you safe no matter where you are And bring you everything you ask for nothing is above me I'm shining like a candle in the dark when you tell me that you love me You love me, when you tell me that you love me Read more: Diana Ross - When You Tell Me That You Love Me Lyrics | Wikia
He's
got a license to kill...with a song! James Nakasan shows the Judges
what he's made of with his rendition of 'Bridge Over Troubled Water'
Sadly
I had screwed up my backing track and I was panic and the next came to
my mind went BLANK space. I can't remember any more the lyrics. The
main reason failed to reach 5th stage is the bloody home office of
Eggland. I will try again soon.
Whenever you see a (E) which indicated it had been enhanced using youtube tools to make it louder.
Enhanced Published on September 14, 2013 Ref: 20130914-00051-201410090450-110230-xfactor site Recorded at LondonUnited Kingdom
Enhanced Published on September 14, 2013 Ref: 20130914-00051-201410090450-110230-xfactor site Recorded at LondonUnited Kingdom
Those
who love to listen to my singing and keen to invite me to sing in any concert as your guest singer or
xfactor, BGT, AGT, The Voice or any musical events, feel free contact me
at london.jamesnakason at gmail dot com. Preferred countries mostly
from USA, Canada, Russia, EU, UK, Japan, South Korea, China, Taiwan,
Hong Kong, Mongolia, Thailand, Philippines, Australia, NZ, India and
South America. I love singing, and play musical instruments like Piano,
Keyboard, Guitar, Bass, Harmonica (24 holes), Violin, Recorder (Soprano
& Treble-altro), Midi gadgets.
FYI,
The above link had been removed by the BLOODY EVIL PARASITES FUCKbook,
due to their BLOODY lame excuses copySHIT law. My cover songs have NO COMMERCIAL VALUE and I am only just a student learning to sing these songs and put
that online so that my friends or anyone can comment on it so I can
continue to improve my singing. These EVIL BASTARDS removed my most
favourite FUCKbook fan page on above link.
Video Shot by UK Xfactor Video Edited by UK Xfactor "Bridge Over The Trouble Water' Originally sung by George Michael. Written by: George Michael. Category: Music License Standard: YouTube License Created using: YouTube Video Editor Source videos: View attributions
"Bridge over Troubled Water" was composed by Paul Simon very quickly,
so much so that he asked himself, "Where did that come from? It doesn't
seem like me." [8] The chorus lyrics were partly inspired by Claude Jeter's line "I'll be your bridge over deep water if you trust in me," which Jeter sang with his group, the Swan Silvertones, in the 1958 song "Mary Don't You Weep."[9] According to gospel producer and historian Anthony Heilbut, Simon later acknowledged his musical debt to Jeter in person, and additionally handed Jeter a check as compensation.[10] Simon wrote the song initially on guitar but decided to transpose it to the piano, to both better reflect the gospel influence and to suit Garfunkel's voice.[4]
When Simon showed the song to his partner, he informed him that he
felt Garfunkel should sing it by himself, the "white choirboy way."[8] Garfunkel declined, feeling it was not right for him and believing that Simon should sing it.[4] Garfunkel reportedly liked Simon's falsetto
on the demo and suggested that Simon sing. He and producer Roy Halee
also thought the song needed three verses and a 'bigger' sound toward
the end. Simon agreed and penned the final verse, though he felt it was
less than fully cohesive with the earlier verses.[11] The final verse was written about Simon's then-wife Peggy Harper, who had noticed her first gray hairs ("Sail on, silvergirl").[12][13] It does not refer to a drug abuser's hypodermic needle, as is sometimes claimed.[14] The verse was Garfunkel's idea, and Simon has never cared for it.[15]
"Bridge over Troubled Water" was the final track to be recorded but
the first one fully completed, with an additional two weeks of
post-production.[4] Simon initially composed the song in G major, but arranger and composer Jimmie Haskell transposed the song to E-flat major to suit Garfunkel's voice.[16] The song was recorded in California, to make it easier for Garfunkel to go to Mexico to film Catch-22.[7] Simon wanted a gospel piano sound, and so he hired session musician Larry Knechtel.
The song was initially two verses long, but Garfunkel felt the song was
too short, and asked Knechtel to play a third verse, to which Simon
would write more lyrics. Joe Osborn played the two bass guitars, one high and the other low. A horn section rounded off the song. The drums were played by Hal Blaine in an echo chamber
to achieve a hall effect and Los Angeles session percussionist Gary
Coleman played the vibraphone. Due to a series of factors, the duo had
to work on a new tape; an arranger falsely labeled the song as "Like a
Pitcher of Water", wrote Garfunkel's name incorrectly and the string
part was unsatisfactory.[17]
Simon and Garfunkel then returned to New York to record the vocals.[18][5][4] The vocal style in "Bridge over Troubled Water" was inspired by Phil Spector's technique in "Old Man River" by The Righteous Brothers.[19] After two months the song was finalized. Simon himself admitted that it sounded like the Beatles' "Let It Be", stating in a Rolling Stone interview: "They are very similar songs, certainly in instrumentation ..."[20]
As their relations frayed preceding their 1970 breakup, Simon began to feel jealous that he allowed Garfunkel to sing it solo:
He felt I should have done it, and many times on a stage, though,
when I'd be sitting off to the side and Larry Knechtel would be playing
the piano and Artie would be singing "Bridge", people would stomp and
cheer when it was over, and I would think, "That's my song, man..."[8]
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