The Phantom of Opera...
The Phantom of Opera theme song is my first attempt record. I came to know this dynamic madness song from one of the choir group that I had joined before. Before this I did not pay much attention even I came across before. After knowing the madness how this song was sung, the madness also went to my soul too.
The Phantom Of Opera
If you unable to watch the video over this blog, please click The Phantom Of Opera.
Published on Sep 30, 2015
Ref: 20150930-00051-2015071402-00000-SUNP0001
Recorded at Jerantut, Pahang, M'sia
If you unable to watch the video over this blog, please click The Phantom Of Opera.
If you unable to watch the video over this blog, please click The Phantom Of Opera.
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who love to listen to my singing and keen to invite me to sing in any concert as your guest singer or
xfactor, BGT, AGT, The Voice or any musical events, feel free contact me
at london.jamesnakason at gmail dot com. Preferred countries mostly
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Hong Kong, Mongolia, Thailand, Philippines, Australia, NZ, India and
South America. I love singing, and play musical instruments like Piano,
Keyboard, Guitar, Bass, Harmonica (24 holes), Violin, Recorder (Soprano
& Treble-altro), Midi gadgets.
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Video Shot by Myself
Video Edited by Myself
'The Phantom Of Opera' originally sung by Sarah Brightman and Michael Crawford
Written by: Andrew Lloyd Webber, with lyrics written by Charles Hart and Richard Stilgoe, and additional lyrics by Mike Batt.
Category: Music
License Standard: YouTube License
Created using: YouTube Video Editor
Source videos: View attributions
The Phantom Of Opera
From: Wikipedia, the free encyclopaedia.
The Phantom of the Opera (French: Le Fantôme de l'Opéra) is a novel by French writer Gaston Leroux. It was first published as a serialisation in Le Gaulois from September 23, 1909, to January 8, 1910. It was published in volume form in April 1910 by Pierre Lafitte.[1] The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischütz.[1] Nowadays, it is overshadowed by the success of its various stage and film adaptations. The most notable of these are the 1925 film depiction featuring Lon Chaney and Andrew Lloyd Webber's 1986 musical.
Opera singer Christine triumphs at the gala on the night of the old managers' retirement. Her old childhood friend, Raoul, hears her sing and recalls his love for Christine. At this time, there are rumors of a phantom living at the Opera and he makes himself known to the managers through letters and malevolent acts. Some time after the gala, the Paris Opera performs Faust, with the prima donna Carlotta playing the lead, against the Phantom's wishes. During the performance, Carlotta loses her voice and the grand chandelier plummets into the audience.
Christine is kidnapped by the phantom and is taken to his home in the cellars of the Opera where he identifies himself as Erik. He plans to keep her there for a few days, hoping she will come to love him. But she causes Erik to change his plans when she unmasks him and, to the horror of both, beholds his noseless, lipless, sunken-eyed face which resembles a skull dried up by the centuries, covered in yellowed dead flesh. Fearing that she will leave him, he decides to keep her with him forever, but when Christine requests release after two weeks, he agrees on condition that she wear his ring and be faithful to him.
On the roof of the opera house, Christine tells Raoul that Erik abducted her. Raoul promises to take Christine away to a place where Erik can never find her. Raoul tells Christine he shall act on his promise the next day, to which Christine agrees. She, however, has pity for Erik and will not go until she has sung a song for him one last time. Neither is aware that Erik has been listening to their conversation and that he has become extremely jealous.
The following night, Erik kidnaps Christine during a production of Faust and tries to force Christine to marry him. He states that if she refuses, he will use explosives (which he has planted in the cellars) to destroy the entire opera house. Christine refuses, until she realizes that Erik learned of Raoul's attempt to rescue her and has trapped Raoul in a hot torture chamber (along with the Persian, an old acquaintance of Erik who was going to help Raoul). To save them and the people above, Christine agrees to marry Erik. Erik initially tries to drown Raoul, using the water which would have been used to douse the explosives. But Christine begs and offers to be his "living bride", promising him not to kill herself after becoming his bride, as she had both contemplated and attempted earlier in the novel. Erik eventually rescues Raoul from his torture chamber. When Erik is alone with Christine, he lifts his mask to kiss her on her forehead, and is given a kiss back. Erik reveals that he has never received a kiss (not even from his own mother) nor has been allowed to give one and is overcome with emotion.
Erik allows them to escape, though not before making Christine promise that she will visit him once on his death day, and return the gold ring he gave her. He also makes her promise that afterwards she will go to the newspaper and report his death. Indeed, some time later Christine returns to Erik's lair, buries him and returns the gold ring. Afterwards, a local newspaper runs the simple note: "Erik is dead".
"The Phantom of the Opera" is a song from the stage musical of the same name. It was composed by Andrew Lloyd Webber, with lyrics written by Charles Hart and Richard Stilgoe, and additional lyrics by Mike Batt.[citation needed] It was originally sung by Sarah Brightman and Michael Crawford in their roles as Christine Daaé and the Phantom.
Ray Repp sued Andrew Lloyd Webber over the main melody of Phantom, claiming that it was based on his folk song "Till You" which he recorded in 1978. Webber won the case however, with the counter-claim that the section of "Phantom" in question was actually based on Webber's "Close Every Door", which was written before Till You.
In addition, Roger Waters of Pink Floyd had asserted that Andrew Lloyd Webber had plagiarised the intro section from the Pink Floyd song "Echoes", which largely resembles it, although he decided against filing a lawsuit.
"Yeah, the beginning of that bloody Phantom song is from Echoes. *DAAAA-da-da-da-da-da* [sic]. I couldn't believe it when I heard it. It's the same time signature – it's 12/8 – and it's the same structure and it's the same notes and it's the same everything. It probably is actionable. It really is! But I think that life's too long to bother with suing Andrew fucking Lloyd Webber."[1]
Song Lyric
CHRISTINE
In sleep he sang to me
In dreams he came
That voice which calls to me and speaks my name
And do I dream again for now I find
The Phantom of the Opera is there
Inside my mind
PHANTOM
Sing once again with me
Our strange duet
My power over you grows stronger yet
And though you turn from me to glance behind
The Phantom of the Opera is there
Inside your mind.
CHRISTINE
Those who have seen your face
Draw back in fear
I am the mask you wear
PHANTOM
It's me they hear...
BOTH
Your/My spirit and my/your voice in one combined
The Phantom of the Opera is there/here
Inside my/your mind
BACKGROUND
He's there, the phantom of the opera!
Beware, the phantom of the opera!
He's there, the phantom of the opera!
Beware the phantom of the opera!
PHANTOM
In all your fantasies, you always knew
that man and mystery
CHRISTINE
Were both in you
BOTH
And in this labyrinth
where night is blind
the Phantom of the Opera is there/here,
inside my/your mind
PHANTOM
The angel of music!
CHRISTINE
He's there, the phantom of the opera
PHANTOM
Sing, my Angel of Music
Sing, my Angel
Sing for me
Sing, my Angel!
Sing for me!
Songwriters
Andrew Lloyd Webber;Richard Henry Zachary Stilgoe;Charles Eliott Hart
Published by
REALLY USEFUL GROUP P.L.C., THE;UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC.
Read more: Phantom Of The Opera - Phantom Of The Opera Lyrics | MetroLyrics
Christine is kidnapped by the phantom and is taken to his home in the cellars of the Opera where he identifies himself as Erik. He plans to keep her there for a few days, hoping she will come to love him. But she causes Erik to change his plans when she unmasks him and, to the horror of both, beholds his noseless, lipless, sunken-eyed face which resembles a skull dried up by the centuries, covered in yellowed dead flesh. Fearing that she will leave him, he decides to keep her with him forever, but when Christine requests release after two weeks, he agrees on condition that she wear his ring and be faithful to him.
On the roof of the opera house, Christine tells Raoul that Erik abducted her. Raoul promises to take Christine away to a place where Erik can never find her. Raoul tells Christine he shall act on his promise the next day, to which Christine agrees. She, however, has pity for Erik and will not go until she has sung a song for him one last time. Neither is aware that Erik has been listening to their conversation and that he has become extremely jealous.
The following night, Erik kidnaps Christine during a production of Faust and tries to force Christine to marry him. He states that if she refuses, he will use explosives (which he has planted in the cellars) to destroy the entire opera house. Christine refuses, until she realizes that Erik learned of Raoul's attempt to rescue her and has trapped Raoul in a hot torture chamber (along with the Persian, an old acquaintance of Erik who was going to help Raoul). To save them and the people above, Christine agrees to marry Erik. Erik initially tries to drown Raoul, using the water which would have been used to douse the explosives. But Christine begs and offers to be his "living bride", promising him not to kill herself after becoming his bride, as she had both contemplated and attempted earlier in the novel. Erik eventually rescues Raoul from his torture chamber. When Erik is alone with Christine, he lifts his mask to kiss her on her forehead, and is given a kiss back. Erik reveals that he has never received a kiss (not even from his own mother) nor has been allowed to give one and is overcome with emotion.
Erik allows them to escape, though not before making Christine promise that she will visit him once on his death day, and return the gold ring he gave her. He also makes her promise that afterwards she will go to the newspaper and report his death. Indeed, some time later Christine returns to Erik's lair, buries him and returns the gold ring. Afterwards, a local newspaper runs the simple note: "Erik is dead".
"The Phantom of the Opera" is a song from the stage musical of the same name. It was composed by Andrew Lloyd Webber, with lyrics written by Charles Hart and Richard Stilgoe, and additional lyrics by Mike Batt.[citation needed] It was originally sung by Sarah Brightman and Michael Crawford in their roles as Christine Daaé and the Phantom.
Ray Repp sued Andrew Lloyd Webber over the main melody of Phantom, claiming that it was based on his folk song "Till You" which he recorded in 1978. Webber won the case however, with the counter-claim that the section of "Phantom" in question was actually based on Webber's "Close Every Door", which was written before Till You.
In addition, Roger Waters of Pink Floyd had asserted that Andrew Lloyd Webber had plagiarised the intro section from the Pink Floyd song "Echoes", which largely resembles it, although he decided against filing a lawsuit.
"Yeah, the beginning of that bloody Phantom song is from Echoes. *DAAAA-da-da-da-da-da* [sic]. I couldn't believe it when I heard it. It's the same time signature – it's 12/8 – and it's the same structure and it's the same notes and it's the same everything. It probably is actionable. It really is! But I think that life's too long to bother with suing Andrew fucking Lloyd Webber."[1]
Song Lyric
CHRISTINE
In sleep he sang to me
In dreams he came
That voice which calls to me and speaks my name
And do I dream again for now I find
The Phantom of the Opera is there
Inside my mind
PHANTOM
Sing once again with me
Our strange duet
My power over you grows stronger yet
And though you turn from me to glance behind
The Phantom of the Opera is there
Inside your mind.
CHRISTINE
Those who have seen your face
Draw back in fear
I am the mask you wear
PHANTOM
It's me they hear...
BOTH
Your/My spirit and my/your voice in one combined
The Phantom of the Opera is there/here
Inside my/your mind
BACKGROUND
He's there, the phantom of the opera!
Beware, the phantom of the opera!
He's there, the phantom of the opera!
Beware the phantom of the opera!
PHANTOM
In all your fantasies, you always knew
that man and mystery
CHRISTINE
Were both in you
BOTH
And in this labyrinth
where night is blind
the Phantom of the Opera is there/here,
inside my/your mind
PHANTOM
The angel of music!
CHRISTINE
He's there, the phantom of the opera
PHANTOM
Sing, my Angel of Music
Sing, my Angel
Sing for me
Sing, my Angel!
Sing for me!
Songwriters
Andrew Lloyd Webber;Richard Henry Zachary Stilgoe;Charles Eliott Hart
Published by
REALLY USEFUL GROUP P.L.C., THE;UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC.
Read more: Phantom Of The Opera - Phantom Of The Opera Lyrics | MetroLyrics
